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  • Vibrating strings on a base electric guitar. When plucked, the string vibrates at a specific frequency, which determines the pitch of the note. The vertical lines on the fretboard of the guitar mark where fingers should be placed to shorten or lengthen the vibrating part of the string. Shortening the string produces a note with a higher pitch, lengthening it lowers the note. The image was collected with a digital camera with a fast rolling shutter.
    K17strings-on-base-7.jpg
  • Vibrating strings on a base electric guitar. When plucked, the string vibrates at a specific frequency, which determines the pitch of the note. The vertical lines on the fretboard of the guitar mark where fingers should be placed to shorten or lengthen the vibrating part of the string. Shortening the string produces a note with a higher pitch, lengthening it lowers the note. The image was collected with a digital camera with a fast rolling shutter.
    K17strings-on-base-5.jpg
  • Vibrating strings on a base electric guitar. When plucked, the string vibrates at a specific frequency, which determines the pitch of the note. The vertical lines on the fretboard of the guitar mark where fingers should be placed to shorten or lengthen the vibrating part of the string. Shortening the string produces a note with a higher pitch, lengthening it lowers the note. The image was collected with a digital camera with a fast rolling shutter.
    K17strings-on-base-9.jpg
  • Vibrating strings on a base electric guitar. When plucked, the string vibrates at a specific frequency, which determines the pitch of the note. The vertical lines on the fretboard of the guitar mark where fingers should be placed to shorten or lengthen the vibrating part of the string. Shortening the string produces a note with a higher pitch, lengthening it lowers the note. The image was collected with a digital camera with a fast rolling shutter.
    K17strings-on-base-8.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration076.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration062.jpg
  • Sand patterns formed from vibrating a quare sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency.  When the plat is driven at a resonate frequency the sand grains will collect in the nodes.   Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate.  The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate.   This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 – 1827) also know for his work with the speed of sound.
    K10vibrationsquare002.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration074.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration065.jpg
  • Sand patterns formed from vibrating a quare sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency.  When the plat is driven at a resonate frequency the sand grains will collect in the nodes.   Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate.  The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate.   This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 – 1827) also know for his work with the speed of sound.
    K10vibrationsquare001.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration079.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration072.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration075.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration067.jpg
  • Sand patterns formed from vibrating a quare sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency.  When the plat is driven at a resonate frequency the sand grains will collect in the nodes.   Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate.  The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate.   This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 – 1827) also know for his work with the speed of sound.
    K10vibrationsquare03.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration064.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration078.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration068.jpg
  • Sand patterns formed from vibrating a square sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency. When the plat is driven at a resonate frequency the sand grains will collect in the nodes. Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate. The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate. This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 - 1827) also know for his work with the speed of sound.
    K10vibration071.jpg
  • Sand patterns formed from vibrating a quare sheet of thin metal. These formations, known as Chladni patterns, occur when fine particles, such as grains of sand or salt, form a unique pattern in response to pure tone vibrations such as musical notes. This sand was placed on a metal plate that was vibrated at different frequency.  When the plat is driven at a resonate frequency the sand grains will collect in the nodes.   Chladni Oscillations are a standing wave pattern visualized by vibrating a metal plate.  The nodes and anti-nodes of the oscillation are made visible my placing sand grains on the plate.   This technique for visualizing sound waves was discovered by Ernst Florens Friedrich Chladni (1756 – 1827) also know for his work with the speed of sound.
    K10vibrationsquare-set2.jpg
  • A special compression driver speaker is mounted to the left of the glass.  When the speaker is set to the resonance of the glass - vibrations will constructively interfere with each other until the glass breaks.  This demonstration takes a special speaker, a frequency generator, and an amplifier that can drive the speaker at 120 watts.  The action is captured with a high speed flash operating at 1/20,000th of a second. This image is one out of a set of two showing before and during the glass shattering..
    K12HS-glass-break008-cleaned.jpg
  • The inside of a magnetron removed from a microwave oven.  The magnetron is a device that creates microwave radiation. A magnetron consists of an electron tube surrounded by a magnet. As electrons are released from the heated cathode they are forced to take a spiral path to the anode by the magnetic field, creating microwaves. This magnetron creates a microwave radiation that is the same frequency as a water molecule vibrates.  When water is exposed to just the right frequency, the water molecules will gain kinetic energy and become hotter.
    K11-magnetron7111.jpg
  • An SEM image of a reed from a woodwind instrument.  The reed is from Giant Grass (Arundo donax ), also called, wild cane or giant cane, native to  South Eastern France. Small slivers of the giant grass are shaped into thin wedges that vibrate when air is blown across the surface.  These musical reeds are  used by woodwind instruments such as saxophones and clarinets, and double reed wind instruments such as bassoons and oboes.  The reeds are also used in saxophones and clarinets,  The magnification of the image is x80 when printed 10 cm wide
    K14SEMreed-music86C.jpg
  • An SEM image of a reed from a woodwind instrument.  The reed is from Giant Grass (Arundo donax ), also called, wild cane or giant cane, native to  South Eastern France. Small slivers of the giant grass are shaped into thin wedges that vibrate when air is blown across the surface.  These musical reeds are  used by woodwind instruments such as saxophones and clarinets, and double reed wind instruments such as bassoons and oboes.  The reeds are also used in saxophones and clarinets,  The magnification of the image is x80 when printed 10 cm wide
    K14SEMreed-music83B.jpg
  • An SEM image of a reed from a woodwind instrument.  The reed is from Giant Grass (Arundo donax ), also called, wild cane or giant cane, native to  South Eastern France. Small slivers of the giant grass are shaped into thin wedges that vibrate when air is blown across the surface.  These musical reeds are  used by woodwind instruments such as saxophones and clarinets, and double reed wind instruments such as bassoons and oboes.  The reeds are also used in saxophones and clarinets,  The magnification of the image is x80 when printed 10 cm wide
    K14SEMreed-music83.jpg
  • An SEM image of a reed from a woodwind instrument.  The reed is from Giant Grass (Arundo donax ), also called, wild cane or giant cane, native to  South Eastern France. Small slivers of the giant grass are shaped into thin wedges that vibrate when air is blown across the surface.  These musical reeds are  used by woodwind instruments such as saxophones and clarinets, and double reed wind instruments such as bassoons and oboes.  The reeds are also used in saxophones and clarinets,  The magnification of the image is x80 when printed 10 cm wide
    K14SEMreed-music86.jpg
  • The inside of a magnetron removed from a microwave oven.  The magnetron is a device that creates microwave radiation. A magnetron consists of an electron tube surrounded by a magnet. As electrons are released from the heated cathode they are forced to take a spiral path to the anode by the magnetic field, creating microwaves. This magnetron creates a microwave radiation that is the same frequency as a water molecule vibrates.  When water is exposed to just the right frequency, the water molecules will gain kinetic energy and become hotter.
    K11-magnetron7101.jpg
  • An SEM image of a reed from a woodwind instrument.  The reed is from Giant Grass (Arundo donax ), also called, wild cane or giant cane, native to  South Eastern France. Small slivers of the giant grass are shaped into thin wedges that vibrate when air is blown across the surface.  These musical reeds are  used by woodwind instruments such as saxophones and clarinets, and double reed wind instruments such as bassoons and oboes.  The reeds are also used in saxophones and clarinets,  The magnification of the image is x80 when printed 10 cm wide
    K14SEMreed-music86A.jpg
  • A drummer shows off his drum moves.  A special stroboscopic camera records the motion.  The record of the motion can be analyzed to show both the timing and range of the motion.  This type of image is very important in the science of biomechanics.
    drummer8431.jpg
  • A light is mounted to the end of a spring.  The pendulum and bouncing action of the spring trace out Lissajous patterns in space.
    K09spring003.jpg
  • A light is mounted to the end of a spring.  The pendulum and bouncing action of the spring trace out Lissajous patterns in space.
    K09spring002.jpg
  • Needle playing a record. Colored scanning electron micrograph (SEM) of the needle (stylus) of a record player in a groove on a record. A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.  This is a stereo record.  The needle in contact with the record is a LP needle, or a long play needle designed for stero use.  The spair needle pointing up is a 78 RMP needle - not the different angles.  This record is designed for 45 RPM.
    K13SEM-Needle-45stereo-B.jpg
  • Needle playing a record. Colored scanning electron micrograph (SEM) of the needle (stylus) of a record player in a groove on a record. A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.  This is a stereo record.  The needle in contact with the record is a LP needle, or a long play needle designed for stero use.  Magnification is 135x when printed 10 cm wide
    K13SEM-Needle-130x-A.jpg
  • Needle playing a record. Colored scanning electron micrograph (SEM) of the needle (stylus) of a record player in a groove on a record. A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.  This is a stereo record.  The needle in contact with the record is a LP needle, or a long play needle designed for stero use.   This record is designed for 45 RPM.  Magnification is 100x when printed at 10 cm wide.
    K13SEM-Needle-45stereo3-B.jpg
  • Needle playing a record. Colored scanning electron micrograph (SEM) of the needle (stylus) of a record player in a groove on a record. A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.  This is a stereo record.  The needle in contact with the record is a LP needle, or a long play needle designed for stero use.   This record is designed for 45 RPM.  Magnification is 100x when printed at 10 cm wide.
    K13SEM-Needle-45stereo3-A.jpg
  • False color scanning electron microscope image of a vinyl record.  A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.
    K07SEM-record50x-A.jpg
  • Needle playing a record. Colored scanning electron micrograph (SEM) of the needle (stylus) of a record player in a groove on a record. A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.  This is a stereo record.  The needle in contact with the record is a LP needle, or a long play needle designed for stero use.  Magnification is 135x when printed 10 cm wide
    K13SEM-Needle-130x-B.jpg
  • Needle playing a record. Colored scanning electron micrograph (SEM) of the needle (stylus) of a record player in a groove on a record. A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.  This is a stereo record.  The needle in contact with the record is a LP needle, or a long play needle designed for stero use.  The spair needle pointing up is a 78 RMP needle - not the different angles.  This record is designed for 45 RPM.
    K13SEM-Needle-45stereo-A.jpg
  • Needle playing a record. Colored scanning electron micrograph (SEM) of the needle (stylus) of a record player in a groove on a record. A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.  This is a stereo record.  The needle in contact with the record is a LP needle, or a long play needle designed for stero use.   This record is designed for 45 RPM.  Magnification is 100x when printed at 10 cm wide.
    K13SEM-Needle-45stereo3-C.jpg
  • False color scanning electron microscope image of a vinyl record.  A record is used to store sound. It is produced by a machine with a head which vibrates in time to the sound being recorded. This cuts a groove in the record which varies according to the vibrations. A needle can then reproduce these vibrations as it runs along the groove and these, when amplified, produce the original sound.
    K08SEM-recordA.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0473A.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0540.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations-9-images.jpg
  • A SEM image of a vinyl 45 RPM stereo record.  The groves record vibrations that are picked up by a needle traveling in the grove.   Magnification is 110x when printed at 10CM wide.
    K13SEM-Needle-45stereo-100xC.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0485.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0489.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_3212.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_3231-EditA.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0553.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_3236A.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_3285A.jpg
  • A SEM image of a vinyl 45 RPM stereo record.  The groves record vibrations that are picked up by a needle traveling in the grove.   Magnification is 210x when printed at 10CM wide.
    K13SEM-Needle-45stereo-CU1.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0415A.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0528.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_3232A.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_3353A.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0257.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0490.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0543.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_0491.jpg
  • A SEM image of a vinyl 45 RPM stereo record.  The groves record vibrations that are picked up by a needle traveling in the grove.   Magnification is 110x when printed at 10CM wide.
    K13SEM-Needle-45stereo-100xB.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations-Kelido-_3285A.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_3281A.jpg
  • Here a small dish of water is mounted on a speaker and vibrated at different frequencies. At specific frequencies standing waves are created. The frequency is dependent on the depth of the water, the size of the dish, and speed of waves in the liquid. Many modes of oscillation are possible in the same dish of water. To get better lighting black ink was added to the water
    K21-water-vibrations_3303A.jpg
  • A SEM image of a vinyl 45 RPM stereo record.  The groves record vibrations that are picked up by a needle traveling in the grove.   Magnification is 110x when printed at 10CM wide.
    K13SEM-Needle-45stereo-100xA.jpg
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Ted Kinsman

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